The Art of Projection (February 13, 2025) 

 

 

Reality moves like light—shifting, expanding, revealing. We are active participants, casting our inner worlds onto the surfaces of existence. Every thought is a ripple, every perception a frequency, shaping the space around us. Everything is already a projection.

 

Through my work, I illuminate these unseen connections. I project ideas, perceptions, and realities—not only onto buildings and trees, but onto the way we experience the world itself. My projections bring hidden connections to light, shifting perception and expanding awareness. They map the energy of thought and space, consciousness and form, showing how the inner and outer world are always in dialogue.

 

Identity is fluid. The self bends and reshapes as it interacts with its surroundings. As a metaArtist, I work in layers—from the micro to the macro, the internal to the external. A building carries thought. A tree moves with the projection, merging light with life.

 

At the core of my practice is 1+1=1, (2024)—my equation for reality. It transcends the illusion of separation, revealing that everything is part of the same whole. Observer and observed, thought and space, self and other—there is only connection.

 

E=MC² = ME=C², (2014) is my formula for transformation. Just as energy and mass are interchangeable, so is the self—constantly evolving yet fundamentally connected to something infinite. Feeling is the impulse that generates the wave, and thought rides its momentum, shaping reality before it takes form.

 

$HEART (she_art), (2023) is a meditation on true wealth—the energy we carry, the spirit that connects us. Heart is the currency—

the current, a pulse that shapes experience.

 

Since June 2023, my works—spanning from 2000 onward—have illuminated the streets of Harlem, NYC, transforming the city into

a living canvas. The city itself is a collaborator, dissolving the boundaries between art and life. Each projection invites participation and dialogue, creating an open-air immersive experience that evolves with its surroundings.

 

Like the butterfly effect, even the smallest ripple of light can expand into something vast. The city moves, the wind shifts, a passerby glances up—and in that moment, the work reshapes itself, unfolding in real time.

 

At the heart of it all is WallEye—my projector, more than a tool, an extension of perception. It’s where thought meets form, where

the unseen takes shape. The "wall" is the surface—buildings, trees, the skin of the city. The "eye" is awareness—the act of seeing, the transmission of energy, intent, and vision into the physical world. WallEye translates perception into form, revealing how reality unfolds as a projection of consciousness.

 

We are the projection, the projector, and the light itself.